Go to Page Photos: Gallery. Posts: 1, Anyone has tried this combo? If it works, then I guess we have a cheap teleconverter on our hands!
Opinions please? Posts: I get it. If it is a front mount tele-converter, see previous thread, "Is this a teleconverter or a tele-photo lens? I bought it as an accessory to my Sony H-1 camera. The H-1 is a digicam, not an SLR, and the Sony teleconverter attaches to the front of the H-1 obviously by way of a 58 mm thread. Just for fun, I attached the Sony converter to some of my pentax lenses using a step-up ring sometimes in combination with the Pentax rear converter, sometimes not.
I got surporisingly good results with my 50mm A f2 and my mm M f3. It did not work so well with my Sigma mm, and did ok with my DA mm. I was frankly surprised at the good results. I didn't expect it to work at all. Not a bad way to convert a 50mm lens to mm mm equivalent and a mm to mm mm equivalent. I would NOT waste money on a front-mounted teleconverter with a brand name I've never heard of before, but the Sony teleconverter is, in my opinion, a darn nice piece of glass.
YMMV, but it works for me. Originally posted by MPrince. I would be most reluctant to put the zoom motors to that much stress if you just screwed it into the filter threads. If it existed, Ed would know about it. Thanks to everyone who replied. You've convinced me that a TC is not an option with the RX10 iv. I've never felt that I could get really good results as opposed to "okay" results at more than about 1.
It's a camera I've lusted after for at least a year. The price may be too much for my budget, but I'm going to see if I can rent one for weeks. CIZ does improve with every generation of processor, the licensed algorithms improve, so it is worth having a look at it, for the effortlessness of it.
If not viewing or printing large, you may find it acceptable, for occasional use. You would have to switch to Jpeg Only. I used to use CIZ occasionally with my rxm1 and m3 to get mm. Many forget about SZ, Smart Zoom , an in-camera optical sensor crop, automatically available if you use Jpeg dropped down to Medium 10mp image size, even more of it at 5mp. I use 10mp SZ 1. The crop adds mm to mm. That's plenty for kids soccer on a smaller field. I have more zoom for larger fields, and from the stands from another camera.
RX10m4, if you use 10mp, you get standard optical mm, and it automatically extends by optical sensor crop from mm TO mm. You can see a scale on the lcd or evf indication optical, then a magnifier icon for SZ. You can also just listen, when the zoom motor stops, that's the end of optical, then the SZ crop happens. CIZ upscales it's cropped image, in-camera. Of course you can crop and upscale any OZ, SZ image in Post using your preferred software and computer's processor. Those are good thoughts Elliott.
I don't have an RX10 available to me at the moment, but I have a fresh battery for my FZ charging up now. I've done the equivalent experiments with my FZ, but that's a few years ago. I might have to make a lens adapter tube from scratch with fiberglass, if I couldn't find a commercially-made one that could be made to fit. KiwiFotos made these for many cameras in the past, but they don't seem to be doing that any more. I've done this several times, by turning the basic form from wood on a lathe, then fine-tuning it with a rasp and then sandpaper, all while it was turning on the lathe.
I have a precision pair of calipers to get it just right. Then, while still on the lathe, I would wrap about 8 layers of fiberglass cloth and resin around it, then work that down smooth, in the same way that I did the wood. Mold release would allow it to pop off the form, when cured. Then, I'd cut the length to match the camera's lens and use epoxy putty to mount a threaded ring in the outer end, to attach the telextender.
The part that fits like a sleeve over the camera's lens housing and control rings would be uniform in diameter. Then, further out, it would expand, to lessen or eliminate vignetting. I have one camera, that was the right size to match a section of an old, ABS plastic, leaf-blower nozzle. I made a lens adapter tube from that and it works very well.
Getting a high-quality telextender can be a challenge. There's lots of junk models, available at cheap prices. I have three good ones, that I bought more than 10 years ago. One is a Sony 1. Two others are from Raynox and give 2. Raynox sells an expensive 1. Here's a photo of one I made for a Canon SX1. It doesn't have a telextender on it, but could. I made the hood from fiberglass, using a Precious brand Ricotta cheese carton, with a cone-shaped flair at the top.
The other brands didn't flair enough. Jan 13, 24 video. Jan 13, Leica M11 initial review. Jan 13, review. Jan 13, 59 video. Jan 13, 33 sample gallery. Jan 13, camera news. Jan 12, Between short days, long nights, and a lot of bad weather here in Seattle, we've been working on a Canon EOS R3 sample gallery. So when the sun finally came out we hung out with climbers, ran around with dogs, and captured some high ISO nighttime shots in Seattle's Wallingford neighborhood.
Jan 12, 53 sample gallery. Jan 11, Jan 11, camera news. Jan 11, 40 sample gallery. Global chip shortage pulls back the veil on Canon printer's onboard authenticity checks.
Jan 10, Irix teases T1. Jan 10, 26 lens news. Fujifilm confirms it will release its next X-mount camera in May during X Summit event. Jan 10, 11 Sponsored. Landscape composition explained - Part 1: Masses and lines.
Jan 9, Jan 8, video. Video: Watch how a Nat Geo wildlife photographer selects his best image from a photoshoot. Jan 7, video. Jan 7, 67 mobile. Sigma CEO says it couldn't keep up with demand in Q4 , might see chip shortage affect production in Jan 7, lens news. Jan 7, Moment's new CineFlare Streak filters promise anamorphic-style flares without a specialized lens. Jan 6, 81 lens news. Jan 6, There seems to be a problem serving the request at this time.
A teleconverter camera lens zooms far into the action so you can take shots that would otherwise be impossible with your Sony camera. A teleconverter camera lens for Sony is a great addition to your kit for situations where your subject is far away and you need a crisp clear image. Great for photographing wildlife, sports events or landscapes, you will bring far away objects close in perfect detail. Capture the detail on architecture no matter how far off the ground the building is.
These are great for astrophotography, as well for capturing celestial objects such as the moon in all its stunning detail. Birds are easily accessible from a distance.
With a tripod and a shutter release you will be able to get a detailed shot of wildlife without disturbing them. Use a time-lapse to measure changes over time from a safe distance.
Expect to focus in on distances of around ft. This type of camera lens usually requires manual settings to be used, so a beginner may need to seek advice on how to get the best out of this lens.
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